Million Dead-A Song To Ruin-CD-FLAC-2003-FORSAKEN
Description :
Artist : Million Dead
Album : A Song To Ruin
Label : Integrity Records
Genre : Hardcore
Source : CD
Street Date : 2003-00-00
Quality : 1030kbps / 44.1kHz / 2 channels
Encoder : FLAC 1.2.1
Size : 342.02 MB
Time : 44:37 min
Url : http://www.MillionDead.com
1. Pornography For Cowards 2:01
2. Breaking The Back 3:12
3. I Am The Party 2:56
4. Charlie & The Propaganda Machine 3:25
5. A Song To Ruin 5:47
6. Smiling At Strangers On Trains 2:55
7. Mac Guyver 3:28
8. Relentless 4:03
9. The Kids Are Going To Love It 2:47
10. The Rise & Fall 14:03
Million Dead sounds like everybody and nobody at once. The At the
Drive-In influence is heavier than my sedentary grandmother. It
sits awkwardly if you’re familiar with ATDI’s music, however that
in many ways is a great thing. It means Million Dead rocks out
pretty hard and their energy feels youthful and fun. They also
sound like Bear vs. Shark in that they’re a little more stripped
down and raw in their approach, favoring more analog sounds to
the slightly overproduced sound of Relationship of Command. Other
bands that seem to contribute to Million Dead’s sound are No
Knife, whose fun, original riffs seem to be found in every corner
of every song on this album and Frodus, considering the tracks
“Song to Ruin” and “Relentless” are the baby brothers of Frodus’
“Out-Circuit the Ending,” hopelessly aping their older brother’s
mature slowness and pensive tone. However as obvious as all of
these influences may seem, Million Dead feels new and original.
This is in part because of their tremendous energy, which could
even reinvent Enya as punk motherfucker. Vocalist Frank Turner’s
vocals feel like an off-the-wall Jim Ward but with an untouchable
element that makes it all his own. The trebly drums are one of a
kind. The guitar and bass interplay in beautiful ways, producing
grooves that have punk energy with a slightly tighter feel than
that of most other similar bands. So, while Million Dead’s
influences are obvious in premise, when they’re actually
executing at 100% it’s easy to forget ATDI et al and just enjoy
the idiosyncratic flow of Song to Ruin.
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